Free background music for podcasts — intros, outros, and bed tracks. Royalty-free MP3 downloads.
Choose Intro, Outro, Background, Interview, or Storytelling. Each section is designed for a specific part of your episode structure.
Download the MP3 and drop it into your podcast editing software. No attribution required — just show up and record.
Music sets the tone for your podcast before you say a word. A strong intro track signals professionalism, builds brand recognition across episodes, and signals to new listeners that this is a show worth sticking around for. The wrong music — or a copyrighted track that gets your episode pulled — can cost you listeners and revenue.
Background music under interviews keeps conversation energy up during pauses and transitions. Outros cue the listener to leave a review or subscribe. Every element of your podcast's audio brand reinforces — or undermines — your credibility. Royalty-free tracks let you build that brand without licensing costs or takedown risk.
Yes. All tracks are royalty-free and cleared for podcast use. Spotify, Apple Podcasts, and other distributors will not issue DMCA takedowns for these tracks.
No attribution is required. You can use any track without mentioning the composer in your show notes, description, or credits.
Intro and outro music is typically full-mix, high-energy, and played for 10–30 seconds without voiceover. Background (bed) music is softer, instrumental, and loops quietly under conversation — it should never compete with the host's voice. Look for tracks labeled "Calm" or "Neutral" for beds, and "Energetic" or "Bold" for intros.
Yes. All tracks are cleared for distribution on Spotify, Apple Podcasts, Amazon Music, YouTube, and every major podcast platform. The royalty-free license covers unlimited distribution without additional fees.
In most DAWs (Audacity, GarageBand, Descript, Adobe Audition), add the music track on a separate layer and lower the volume to around -20 to -25 dB when voice is present. Use a -3 to -6 dB ducking envelope at the start and end of speech sections. The music should be barely perceptible — present but not distracting.